Interview: Marzio Emilio Villa
Did you always know you wanted to be a creative and a photographer?
MARZIO: I started photographing eighteen years ago, I was sixteen years old. In 2003, I remember I wanted to become a war reporter. In those years photo reporters started to be considered artists that could sell in the art market. At the same time, the world of photography started to talk about “how photography can be ethical”. I immediately followed this thought to the point that I considered disturbing and hypocritically buying and selling this type of photography that represents the suffering of racialized bodies and oppressed people. Eighteen years ago I hadn’t a dialectic to explain or understand that it was just the oppressor buying photographs of their own oppression. I told myself that I would try to find a good way to be ethical and respectful to my subjects. There’s always a relation between the photographer and his subject; western photographers have a eurocentric vision on a Black subject and this is a reminiscence of a white colonial privilege. There’s no ethics and these images can be the last process of oppression.
