“Urban On My Tongue” is an exhibition that acts as an introduction to the discourse on urban culture in South Africa, as analysed by Linathi Makanda. In collaboration with three photographers from distinct provinces, Makanda aims to explore the cultural atmosphere within these regions. She works alongside these photographers to capture their perspectives and foster a visual dialogue.

The core of Linathi’s research lies in the diverse cultures and identities that the youth are developing and engaging with. These groups, recognized for their creation of unique linguistics, fashion trends, music styles, and more, carry with them distinct nuances that underline their collective influence on the broader urban culture of South Africa.

Makanda shares her insights:

“The urban youth of the Eastern Cape are pushing a narrative aimed at bridging the gap of language displacement and integrating their traditional and spiritual beliefs with their contemporary identities. Gauteng, a melting pot of multilingualism, is heavily influenced by the creation of collective cultures nurtured and preserved by small, close-knit communities of misfits. The youth of the Western Cape are shaping the urban culture from a place of adversity, using their unfortunate backgrounds and history to reframe and create something positive amidst challenges.”

The photographers interpret the topic and Makanda’s observations within their respective locations, using cultural references, space, and place, while questioning their own positions within the urban culture.

Eastern Cape

Given that the Eastern Cape as a region has been shaped largely by a low regard for its native linguistics and a high regard for English and western cultures as a result of political context, this chapter investigates the narrative of having parted ways with the native language of IsiXhosa and the cultures surrounding it, as well as how this loss impacts the present. We also look at how, as a result of this linguistic displacement, this generation of youth wishes to interrogate identity and return to ancient ways, and we investigate how this need manifests itself in the construction of urban language and hence urban culture in the Eastern Cape.

Gauteng

Gauteng, with its rich history dating back to the era of black mine labourers and the emergence of languages such as Fanakalo, serves as a melting pot of diverse cultures and backgrounds. This diversity is even mirrored in the evolving linguistics of its youth. While there’s much to explore about the region, this chapter zeroes in on smaller groups, once seen as misfits and often misunderstood. These groups have significantly contributed to a new urban culture, rich in fashion, trends, and language. The chapter delves into the legacy of cultural enthusiasts, exploring how their groups of shared interests expanded into a broader movement, influencing and resonating with the youth.

Western Cape

This area explores the formation of gang culture in South Africa, a result of historical and social contexts such as apartheid and displacement. It discusses the convergence of global gang cultures, particularly in linguistics, and the creation of anti-societies and anti-languages. The section of this exhibition highlights the psychological effects of struggle and betrayal, leading to the creation of a hard exterior among the youth. It also notes the secrecy inherent in the region’s language, especially in coloured communities. Finally, it discusses how the youth are using language and urban culture to reignite tenderness within themselves and others, and reconnect with their places of imperfection.