Did you always know you wanted to be a creative and a photographer? 

MATTHEW: Subconsciously, I think I’ve always had a connection to art. I remember growing up surrounded by art, especially old family photographs, and I was always enamored by them. From a young age, I was incredibly curious about the people in those photographs and the stories they held. I learned about most of my family through photographs. Even as I pursued other interests during my upbringing, such as sports and starting my own business(es), my fascination with art persisted. However, growing up, I didn’t have the privilege of encountering many black artists, especially in the realm of fine art photography, and I believe that this scarcity of representation played a significant role in creating a sense of self-doubt within me.

It wasn’t until I arrived at the Maryland Institute College of Art that I truly began to grasp the power of art, particularly photography. It was there that I delved into the history of Black American Photographers and discovered the profound role they played in documenting their communities. Learning about photographers like JP Ball and the Scurlock Studio in DC was a transformative experience for me. It opened my eyes to the incredible impact that art, especially photography, can have in preserving cultural history and telling important stories.

In retrospect, I can see that my connection to art was always there, lurking beneath the surface, waiting for the right moment to fully emerge and take shape. My journey with art and photography has been one of continuous growth and realization, and I now understand that my passion for these forms of expression is not just a subconscious inclination but a fundamental part of who I am.

What inspirations influence your work?

MATTHEW: My grandfather has been a significant influence on my love for photography, even though I never had the chance to meet him in person. He was a photographer who had an eye for documenting the world around him, and I’ve learned so much about him through his photographs. One aspect of his work that stands out is his collection of photographs from his time in World War II. These photographs not only provide a historical perspective but also showcase his talent in creating images of both beauty and gravity in the midst of a global conflict. However, what truly resonates with me is his documentation of his friends and family. His images reflect his deep love and affection for the community in his life. Each image seems to radiate warmth and authenticity, showcasing the relationships he held dear. His photography has allowed me to connect with him on a profound level.

Other influences I have include Dr. Deborah Willis, Carrie Mae Weems, Colette Veasey-Cullors, Hank Willis Thomas, Dawoud Bey, Derrick Adams, Bisa Butler and others. Their pioneering work and contributions have not only laid a sturdy foundation but also continue to serve as a wellspring of inspiration and energy, guiding my own artistic journey.

What is your process like when you’re working with the people you photograph?

MATTHEW: I prefer to engage in a conversation with the subject before taking their photographs. I do this because I understand that for most people, being photographed can be a nerve-wracking experience.

My main goal is to make my subjects feel as comfortable as possible. So, striking up a conversation is my way of breaking the ice. It humanizes the situation and helps to put them at ease. I invest the time in these conversations because I believe that relaxed and comfortable subjects tend to yield more authentic and natural photographs.

In cases where I don’t have an extensive amount of time to chat, I try to plan ahead. I think about mutual interests or topics we can discuss during the shoot that would help them feel more comfortable with me. This way, even if our interaction is brief, it’s still meaningful and connection-building.